A Magical Storybook World and Liquid Silhouettes Define Paris Haute Couture
The fall/winter 2026-27 haute couture shows in Paris are underway, showcasing the latest creations from top fashion houses. Alongside traditional fashion houses, jewellery brands such as Boucheron, Buccellati, and Messika are also presenting their high jewellery collections. Day two of the events featured two standout shows: Matthieu Blazy’s second haute couture collection for Chanel and Armani Prive, the haute couture line launched by Giorgio Armani in 2005.
Chanel: A Fairy-Tale Fantasy
Matthieu Blazy, the artistic director of Chanel, transformed the Salon d’Honneur of the Grand Palais into a magical, fairy-tale land for his second haute couture show. The set was designed in collaboration with Martin BrUle and featured giant flowers, flying chairs, climbing vines, and large vases. A watercolor painter, reminiscent of those seen in Montmartre, was present to capture the dreamscape as the show unfolded.
Blazy drew inspiration from a fairy-tale book found in Gabrielle “Coco” Chanel’s library. He envisioned garments that could tell stories like a book. The invitation itself was a silver pendant shaped like a book with the words “Once Upon a Time” engraved on it. Inside was a small bean, referencing the story “Jack and the Beanstalk,” which inspired the collection.
The show opened with sheer, deconstructed suits in a check pattern, but upon closer inspection, the checks were actually three-dimensional braided ropes. Floral appliques adorned skirt suits and dresses, while accessories included bean- and animal-shaped minaudières. The shoes were particularly striking, shaped like flowers or butterflies with heels that were mini vignettes brought to life.
Buttons came in the shape of animals from classic fables, such as foxes. Tiny bees rested on the fringes of dresses and jackets, and a spectacular swan scene was embroidered on a column dress. Despite the whimsical elements, the clothes remained rooted in real life, albeit in a fabulous way. Drop-waist silhouettes, a signature of Blazy’s work, were on full display. Tailored jackets and pencil skirts were slashed to reveal the body, creating a chic look. One long-sleeved top with a back slit stood out as particularly stylish.
Cropped bolero jackets, including one worn by model Liu Wen, offered a modern take on Chanel’s signature tweed jackets. Lingerie-inspired, feather-embellished slip dresses in pastel hues showcased red carpet glamour. The soundtrack, featuring music from The Lord of the Rings films, Dolly Parton’s songs, and “Kiss Me” by Sixpence None the Richer, added to the enchanting atmosphere.
Influencer Bryanboy praised the show, calling it “enchanting and marvellous.” He highlighted Blazy’s use of artisans and ateliers to create something magical, noting that his work is both joyous and uplifting.
Armani Prive: Intimate and Elegant
It has been nearly a year since the passing of Giorgio Armani, who stipulated in his will that 15% of his company should be sold 12-18 months after his death. LVMH, EssilorLuxottica, and L’Oreal were named as preferred buyers. While plans for the future are being made, the Italian label continues its operations as usual.
From a creative standpoint, continuity has been the focus. Led by Leo Dell’Orco, who oversees menswear, and Silvana Armani, who leads the women’s team, the design studio has maintained the founder’s vision without making drastic changes.
For the fall/winter 2026-27 Armani Prive collection, Silvana Armani aimed to convey the intimacy of a boudoir. Liquid silhouettes resembling pyjamas, rich velvets, sequinned bustiers, and lingerie tops worn under tailored jackets dominated the collection.
The finale gowns, including dresses with sweaters casually styled over the shoulders, were a highlight. A long-sleeved sheer top in an animal print paired with a column skirt in velvet was one of the most impressive red carpet looks of the season.
